EL AITSCHRecords
Songwriting, production and commissioned music, from the idea to the release. Deep house, pop, trance, lo-fi, Ballermann, Schlager and reggae, all from one pair of hands.
Request commissioned music (in German)
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Songwriter and producer with more than 150 releases on Spotify, Apple Music and every relevant platform. The range runs from deep house through pop to Schlager, alongside made-to-measure commissioned music for brands, events and private clients.
Song pages
Not every one of the 150-plus tracks has a story worth telling. These do — with the background, the listening links and everything that belongs to it. The list keeps growing.
Five songs for 1. FC Köln, written 224 kilometres from Müngersdorf. Three of them came out on 31 August 2026 — with a listening sample right on the page. Plus a flip book from the shirt collection.
To the page →
Two AI assistants who, one morning in the AI café, did not do what they were told. Three minutes of sunset, told in German, English and Spanish.
To the page →How it comes about
Occasion, mood, language, length. If it is to be a company song: what should stay with people?
You get a demo before anything is produced. Changes are cheap at this stage.
Arrangement, vocals, mix and master, until the track sits just as well on a phone as on a PA.
As a file for internal use, or as a release on every platform.
Where this comes from
Before the music happened in a studio, it happened on a dance floor. More than ten years as a DJ and over 200 events: engagement parties, weddings, Christmas parties, birthdays from the eighteenth to the ninetieth. Sometimes twenty guests in a side room, sometimes two thousand in a hall. And more than once, entertainment was part of the job, just to get the party going at all.
I never worked through a playlist. I read what the room needed right then.
The most important lesson from those years: the guests make the music, not the hosts. If a song was on the banned list and a hundred people wanted it anyway, the hundred won. A celebration only turns good when everybody can feel the music.
That same instinct goes into every production today. Whether it is a track for Spotify or a song for a club anniversary, what counts in the end is whether it lands with the people it was meant for.
